A guilt-ridden writer, haunted by the past, embarks on a melancholic train journey home. Memories of a tumultuous adolescence resurface, forcing him to confront a dark secret that led to his mother's confinement in an asylum. Through fragmented recollections and lyrical confrontations, he navigates a path towards redemption and artistic awakening. Drawing inspiration from Wales' literary cornerstone, "Un Nos Ola Leuad," this introspective drama is a fever dream woven from personal trauma and artistic expression. The hauntingly beautiful score, composed by Gareth Glyn and performed by the Welsh National Opera orchestra, further amplifies the emotional intensity of the narrative. This film is a Welsh-language "operatic film", a genre-bending exploration of grief, memory, and the power of artistic creation.

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Not just a music film. Not just a ballet film. Not just a political film essay. Here, an antique Greek tragedy serves as an astute metaphor for the country's current tragedy. Medea kills her own children. Society has turned against its offspring and thus kills their future. The balletic retelling of a mother murdering her two kids, choreographed by Renato Zanello, is based on Euripides' play and features music by Mikis Theodorakis. Script, sound and dance join forces in a powerful film that reflects the desperation of a society that spent all of yesterday turning its children into those who make up today's lost generation. These protagonists are flanked and contrasted by the disturbingly mild-mannered 15-year-old Bella, the story's innocence incarnate, who is destroyed by the hand of a hostile and selfish world. Against this background, she seems almost unreal; a fictitious character. Certainly no fiction, on the other hand, are the words of Anne Frank, hidden away in her Amsterdam ...

Pran struggles to make a film with newcomers but nobody is willing to finance his flick.Many big stars of 70/80's have special appearances.

A jealous man wants to uncover the secret of a woman’s playful heart. While the woman is sleeping, the man takes her heart out and opens it. In it he finds another man, and the rivals begin to fight for their place in her heart.

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

A BAFTA award nominated documentary following the achievements of a young girl at the Toronto Opera School.

Set in the badlands of the American west, where men were men and women got slapped a lot. Horse Opera is a strange journey through the mind of George, a minor clerk in the Tax office, and chairman of Nottingham cowboy society. As the boundry between fantasy and reality blur George stumbles through the myth of the heroic west.

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Social drama, mercy killing is discussed by a doctor “Ayda“ accused of killing a patient suffering from an incurable disease ,with her a lawyer “Opera“ they reveal cases of corruption.